Riding the Wave and Willawonta — Part One

Surreal digital art of a kitchen faucet pouring glowing crystalline rings into deep space.

Riding The Wave

Most of the time, attention is spread wide—taking in a broad field without precision.

Imagine a megaphone. From the small end, sound is focused, then expands outward. Now reverse it—like an earpiece. A wide field is gathered and funneled inward to a single point.

Attention works the same way.

We can test this directly. Look straight ahead and hold your hands out to the sides, wiggling your fingers. Without moving your eyes, slowly move your hands farther outward. You’ll still notice the wiggling—almost out to 160 degrees.

The field is wide.

But attention usually narrows to a small center. And when it narrows, everything else drops away.

That’s where the wave comes in.

Instead of focusing on things, attention shifts to movement itself.

The breath becomes a wave—rising, arriving, receding. Like the ocean, each wave comes in and meets the shore. That meeting point is now.

Watching water from a faucet, the same thing appears. The flow has a certain speed, and that speed feels like the speed of now.

But the key is this:

whatever is moving defines the sense of now.

Not the object, not the story about it—the movement.

We usually get pulled into the story—what is happening, what it means. But underneath that, there is always the movement of it.

The wave is always there.

Breath moving. Water flowing. Body shifting. Sound changing.

If attention rests in the movement instead of the thing, the sense of now becomes continuous.

Like catching a wave while surfing—you don’t analyze it, you move with it.

You let it carry you.

The water, the changing images, the shifting sounds—just reminders.

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